Blog Ring of Power Presents: Michelle Hauck
It is that time of week again. All the woes of the week can now melt away. Let's have some Blog Ring of Power time, then some chocolate!


- Part 1 @ Terri - Wednesday, August 28
- Part 2 @ T.W. - Thursday, August 29
- Part 3 @ Hi - Friday, August 30
- Part 4 @ Sandra - Monday, September 2
- Part 5 @ Vicki - Tuesday, September 3
Section #3: The Creative Process
- Where do you get your
story ideas?
Like
most people, my ideas tend to come from everywhere. I do have a lot of ideas
right before I fall asleep. So I keep paper and pencil there just for that
reason, though I use the hall light to avoid waking up my husband.
- Do you have a specific
writing style?
I’ve
heard that I have an old-fashioned voice. Someone once compared my writing to
an Errol Flynn movie.
- How do you deal with
writer’s block?
I take
a walk or clean house. I never have writer’s block for long. When it comes
along, it usually means something is wrong with my manuscript and needs to be
changed.
- How do you develop your plots and characters? Do you
use any set formula?
I don’t use any particular method. I just
daydream about them a lot, which leads to a lot of people talking to me and
being ignored.
- Are you a “plotter” or a
“pantser” (do you plan/outline the story ahead of time or write “by the
seat of your pants”)?
Panster!
All my plotting is done in my head. I usually have a general direction toward
which I try and steer the story. The only time I do any on paper plotting is
when I write the ending of a complex story. Then I use Word to jot down ideas
or threads I need to make sure and complete. I can color code each idea as I
either use it or reject it. I find the color coding really works for me. Orange
for something I completed. Red for something still to be finished. Green for
something I decided against using.
- Do you use critique
partners or beta readers? Why or why not?
Absolutely.
I rely on critique partners. I would be nowhere without them. I used to be
afraid to share my work with others, but that soon vanished. Now I fling my
chapters to anyone that will read them. Often I don’t even wait for my first
rough draft to be finished, but send them off chapter by chapter. My biggest
rule for successful writing is to get yourself good CP’s. Don’t try to go it
alone.
- How much time do you spend
on research? What type of research do you do?
As a
pantser questions tend to arise as I write. If I have a question about some
aspect of falconry, I’ll jump over to the internet and Google it on the spot,
instead of coming back to it laer. Other than that, I’ve always been a huge
reader which provides me with lots of ideas. I’m also a trivia buff. It’s
surprising what you pick up that ends up in a manuscript.
- Is there anything you find
particularly challenging to write?
Action
scenes! It involves so much description. He moved here and then he moved there.
The other characters are doing something in reaction. I find fight scenes hard
to invent because it is such a step by step process. On the other side, I love
to write dialogue. I’m often holding conversations in my head.
Facebook page: http://www.facebook.com/Michelle4Laughs?ref=hl
Goodreads author page: http://www.goodreads.com/author/show/6692215.Michelle_Hauck
Twitter: https://twitter.com/Michelle4Laughs

A novice wizard, Maladonis Bin, approaches with a vision—a cure in a barren land of volcanic fumes. As choices go, a charming bootlicker that trips over his own feet isn’t the best option, but beggars can’t be choosers. As Mal urges her toward a cure that will prove his visions, suddenly, an ally turns traitor, delivering Kindar to a rebel army, who have their own plans for a sickly princess.
With the killer poised to strike again, the rebels bearing down, and the country falling apart, she must weigh her personal hunt for a cure against saving her people.
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